i hate it when u stop being friends w someone or u break up w someone cos uve got all this information about them like at the back of ur mind like their birthday or their favorite game or whatever, and even years later things will come up and you’ll think about that person and its like. oh. and it never really Stops
Here is the fudgiest brownie in a mug recipe I’ve found
Here are some fun sites
Here is a master post of Adventure Time episodes and comics
Here is a master post of movies including Disney and Studio Ghibli
Here is a master post of other master posts to TV shows and movies
*tucks you in with fuzzy blanket* *pats your head*
You’ll be okay, friend <3
i will reblog this everytime it shows up because any of my followers could have a bad night right now
International Space Station astronaut Alexander Gerst has posted his “saddest photo yet.” From all the way up in the thermosphere, ISS personnel orbiting 200 miles over the Middle East can see bombs and missiles exploding in Gaza and Israel as the two sides go to war.
So here’s a quick questionnaire for filmmakers who’ve created a female character who isn’t a dishrag, a harpy, a McGuffin to be passed around, or a sex toy. Congratulations, you have a Strong Female Character. That’s a great start! But now what? Screenwriters, producers, directors, consider this:
1. After being introduced, does your Strong Female Character then fail to do anything fundamentally significant to the outcome of the plot? Anything at all?
2. If she does accomplish something plot-significant, is it primarily getting raped, beaten, or killed to motivate a male hero? Or deciding to have sex with/not have sex with/agreeing to date/deciding to break up with a male hero? Or nagging a male hero into growing up, or nagging him to stop being so heroic? Basically, does she only exist to service the male hero’s needs, development, or motivations?
3. Could your Strong Female Character be seamlessly replaced with a floor lamp with some useful information written on it to help a male hero?
4. Is a fundamental point of your plot that your Strong Female Character is the strongest, smartest, meanest, toughest, or most experienced character in the story—until the protagonist arrives?
5. …or worse, does he enter the story as a bumbling fuck-up, but spend the whole movie rapidly evolving past her, while she stays entirely static, and even cheers him on? Does your Strong Female Character exist primarily so the protagonist can impress her?
6. It’s nice if she’s hyper-cool, but does she only start off that way so a male hero will look even cooler by comparison when he rescues or surpasses her?
7. Is she so strong and capable that she’s never needed rescuing before now, but once the plot kicks into gear, she’s suddenly captured or threatened by the villain, and needs the hero’s intervention? Is breaking down her pride a fundamental part of the story?
8. Does she disappear entirely for the second half/third act of the film, for any reason other than because she’s doing something significant to the plot (besides being a hostage, or dying)?
If you can honestly answer “no” to every one of these questions, you might actually have a Strong Female Character worthy of the name. Congratulations!